A helpless woman confronts a “black object” with a power greater than hers. The “black object” shoots her questions. The woman has answers to these questions, but can’t say them…
Last gasps of the Seiza-sha house in Kyoto devoted to Torajiro Okada’s still-sitting meditation method from the late-Meiji era’s intercultural ferment. -JAPAN CUTS: Festival of New Japanese Film
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